"Shadow play and watery surges around De Winter’s Cornish estate, Manderley, are captured beautifully through Matt Powell’s projections. Together with Nicky Shaw’s quickly re-forming set design, bedrooms morph into moonlit trees or cauldron-like ocean waves." The Guardian

"Matt Powell's projections of the choppy seas around the Manderley estate, from where Rebecca never returned, are visually stunning." - London Theatre

"a beautiful visual homage to the über-famous Hitchcock film ​​​​​​​" - Broadway World
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